Premio Frederick Fennell

TIM REYNISH

COMPONENTE

Timothy Reynish has emerged as one of the leading conductors of wind bands and wind ensembles in the world. In the past few years he has conducted many of the principal professional bands in Asia, Europe, North and South America; these include civilian bands such as Dallas Wind Symphony, State of São Paulo Symphonic Band, Brazil, Volga Wind Orchestra of Saratov, Russia, Cordoba Symphonic Band, Argentina, Philharmonic Winds, Singapore, and leading military bands including the “President’s Own” US Marine Band, Staff Band of the Norwegian Army, US Military Academy West Point, Singapore Armed Forces Band, Croatian Army Symphonic Wind Orchestra Zagreb, Hungarian Army Symphonic Band Budapest, Royal Military School of Music, Kneller Hall, the Band of the Royal Marines, Portsmouth, and the US Coast Guard Band.
He studied horn with Aubrey Brain and Frank Probyn, and gained his ARCM while still at school. After taking a music degree at Cambridge, he was principal horn with the Northern Sinfonia, Sadlers Wells Opera (now ENO) and City of Birmingham Symphony Orchestra. His conducting studies were on short courses with George Hurst at Canford Summer School, Sir Charles Groves and Sir Adrian Boult, with Dean Dixon in Hilversum and Franco Ferrara in Accademia Musicale Chigiana in Siena, where he won the Diploma of Merit. A prize winner in the Mitropoulos International Conducting Competition in New York, he has conducted concerts with the City of Birmingham Symphony Orchestra, the Royal Liverpool Philharmonic Orchestra, the Hallé Orchestra, the BBC Regional Orchestras and the London Symphony Orchestra as well as in Norway, Holland and Germany, and opera in Sweden.
In 1975 he was invited by Sir Charles Groves to become tutor for the Postgraduate Conducting Course at the Royal Northern College of Music. Two years later he succeeded Philip Jones as Head of School of Wind & Percussion, a post he retired from after a quarter of a century. At the RNCM, he conducted a wide range of opera, including Marriage of Figaro, Zauberflote, La Boehme, Erwartung, and several operas by Britten. With the RNCM Symphony Orchestra his performances included symphonies by Beethoven, Brahms, Dvorak, Tchaikovsky, Bruckner and Mahler, as well as Strauss tone poems, Firebird, Petrouchka and the Rite of Spring, the Verdi Requiem and Tippett’s Child of Our Time. In the following two decades he developed the wind orchestra and ensemble of the RNCM to become recognised as one of the best in the world, commissioning works from composers such as Richard Rodney Bennett, John Casken, Thea Musgrave, Aulis Sallinen, Adam Gorb and Kenneth Hesketh, performing regularly in major Festivals such as Aldeburgh, Cheltenham, Huddersfield and Three Choirs, broadcasting for BBC and Classic FM, playing at three WASBE Conferences and making commercial compact discs for Doyen, Serendipity and Chandos.
In the decade since his retirement, he has held visiting professorships at Baylor University, University of Kentucky, Ithaca College, Guildhall School of Music & Drama and Cornell University. He has given clinics, lectured, guest conducted and adjudicated in USA, Europe, Asia and Australia. He is a member of the International Chamber Music Studio at the Royal Northern College of Music, he was awarded an Honorary Doctorate by the State University of the Arts, Kharkiv, Ukraine, and was appointed Principal Guest Conductor of the Philharmonic Winds, Singapore.